The musical-soundscape describes the subject’s sonic aura.


Room.
At first, it was a hotel room; then it became a lobby. In the end, does it really matter?



The work is based on actual sounds recorded at the location, which serve as the starting point for the video art. The point of departure is not the visual image, but sound — something capable of conveying new information about a place before it is visually perceived.

The modules are used as tools for manipulating the original field recordings, making it possible to transform the sound environment of the location.

The video art begins with the recording of the hotel’s soundscape.

sound /
field recording ___ the lobby’s uninterrupted music, rarely interrupted by anything added to its playlist.

field recording ___ the creaking of the doors to an empty emergency exit.

It makes it difficult for him to concentrate. The sound moves in a square, shifting from right to left and bouncing back in the opposite direction through delay. Above and below, an intrusive noise keeps interrupting the faint suggestions of harmony. Everything revolves in alternation.