Selected Works Multidisciplinary Design · 2024–2026

I’m a multidisciplinary designer working across graphic design, photography, moving image, interactive media, and experimental practices. My work is driven by curiosity, visual experimentation, and a desire to explore ideas beyond the boundaries of a single medium. I believe that every concept deserves its own visual language, whether it takes the form of a digital experience, a moving image, or a physical object.

CONCEPT I Believe in Unicorns is an experimental title sequence inspired by the film’s dreamlike atmosphere and the contrast between fantasy and reality. The project explores the fragility of imagination through reflective surfaces, fragmented imagery, and handmade animation.APPROACH I used small mirrored mosaic pieces to create a unicorn and other visual elements, bringing them to life through frame-by-frame animation. By combining tactile materials, moving imagery, and typography with footage from the film, I developed a visual language that reflects its delicate, surreal atmosphere.OUTCOME A reimagined title sequence that transforms physical materials into moving images, blending handcrafted aesthetics with cinematic storytelling. The result offers an alternative visual interpretation of the film’s themes and emotional atmosphere.

CONCEPT SIM MODE explores life as a simulation, where identity, emotions, and everyday decisions are shaped by predefined systems. The project questions the illusion of free choice within a world of predetermined possibilities.APPROACH Inspired by life-simulation games, the project uses AR filters to bring game interfaces into reality, transforming the user into both a character and a player. Everyday experiences become customizable parameters controlled through digital interactions.OUTCOME An interactive AR experience that blurs the boundaries between reality and simulation, exploring how interfaces shape personal identity and create an illusion of control.

CONCEPT Syncopa is based on the idea of syncopation as a shift in rhythm — a movement away from an expected beat. In this project, syncopation becomes a metaphor for changes in a person’s inner rhythm, when привычный emotional and physical pace is disrupted and replaced by a new, more honest one.APPROACH Through moving image and visual metaphor, the project explores moments of internal displacement, when breathing, thoughts, and bodily sensation begin to follow a different tempo. The work reflects on these shifts not as a loss of control, but as a natural and meaningful part of personal growth.OUTCOME Syncopa becomes a reflection on emotional instability, transformation, and self-perception. The project presents inner calm not as perfect balance, but as the ability to recognize and accept one’s own changing rhythm.

CONCEPT Fragment explores the idea that a person is never truly perceived as a complete whole. Identity, the body, and perception are all shaped through separate details, memories, and impressions. The project reflects on how individuality can be revealed through fragments rather than through a single unified image.APPROACH In this project, I deconstruct the body into individual parts and use them to reconstruct a portrait that feels assembled, imperfect, and alive. Instead of focusing on physical likeness, I work through isolated details to suggest an underlying inner structure and to show how personality can emerge even through the smallest and least obvious elements.OUTCOME Fragment becomes a visual exploration of identity as something built from emotions, thoughts, and memories rather than fixed appearance. The final work presents the human figure as a living composition of fragments, where incompleteness itself becomes meaningful.