The postcard is structured around the transition between two frames: from one vantage point, the «Matrona» from the «Ash» series is visible; when the image is tilted, it shifts to the next piece in the series—"The Good Shepherd.» The project is a reinterpretation of paint-by-number paintings. The unfinished sections of the pictures are covered with gesso, thus mimicking eroded frescoes.
1/3
Stage 1 / Stage 2 / Back Side
