The «Closer to the Body» project is an extension of my research into the traditional Ossetian breastplate, the «RIUYÆGNÆGNÆG.»
In the process of this work, I studied its structural features, created a replica, and developed a contemporary stylization. The central concept involved contrasting the front and back sides: the richly decorated front panel versus the open back with ties.
This characteristic became a reflection of the Ironzindan philosophy, which places high value on honor, dignity, and maintaining one’s face.
PRINT CONCEPT
The core idea of the series is visible versus invisible. I used photographs from my project: portraits, metallic elements of a breastplate, and braided ties. Instead of literally replicating the national ornament, I wanted to preserve the character of the original images and present them in a new context. The socks become a small vessel for a visual narrative where traditional attire converges with contemporary daily life.
DESIGN SERIES
1. Face
Photograph of a model wearing the gorget. Focus on the gaze and the facial elements of the traditional costume. Black-and-white execution.
2. Detail
Fragments of silver metal decoration. Natural beige, black, and gray tones.
3. Reverse Side
Photograph of the open back and ties, referencing the unusual construction of the gorget. High-contrast graphic treatment.
COLOR PALETTE
The color palette for this series is based on an original photoshoot. I used black, milky, beige, and silver-gray tones.
Some prints are executed in a monochrome palette to emphasize contrast and texture, while other variations retain the natural colors of the photographs.
This ensures that all items remain visually connected, despite variations in composition.
MATERIALS AND PRODUCTION
For the realization of the «RIUYYHGHGH. Closer to the Body» series, the plan is to produce socks featuring full-color sublimated prints. High-rise socks made from a knit fabric predominantly containing polyester have been selected as the base material. This material allows for the transfer of photographic images while preserving detail, gradients, and texture. The prints are created using original photographs of the traditional Ossetian breastplate, its metal elements, and contemporary stylization. The images are placed on both the front and back of the socks, almost entirely covering the surface of the item. The cuff, heel, and toe remain solid-colored.
Production ProcessIn the first stage, the author’s photographs are prepared for printing: contrast, color rendition, and image scale are adjusted. Next, the prints are transferred onto a light polyester base using the thermal sublimation method. Under the influence of high temperature, the dye penetrates the material fibers, allowing the fabric to retain its softness. After printing, the items undergo quality control checks for image clarity, elasticity, and print placement. The finished socks are paired and packaged in a paper banderole featuring the project name.PackagingThe intended packaging is a milky-colored paper banderole with black typography and the name «РИУЫÆГЪНÆГ». The minimalist design continues the visual language of the series and does not distract attention from the photographic prints.
CONCLUSION
The «Closer to the Body» series allowed me to extend my investigation of the Ossetian cuirass beyond traditional costume. I wanted to show how personal history, cultural heritage, and authorial photography could converge within an everyday object. As a result, the garments transcend being a mere printed accessory—they become an extension of my project’s visual language.
